{"id":2952,"date":"2026-08-14T20:09:41","date_gmt":"2026-08-14T20:09:41","guid":{"rendered":"https:\/\/bogotaexperimental.com\/bogotaexp2026\/?page_id=2952"},"modified":"2026-08-14T23:26:43","modified_gmt":"2026-08-14T23:26:43","slug":"destacadas-resto-del-mundo","status":"publish","type":"page","link":"https:\/\/bogotaexperimental.com\/bogotaexp2026\/destacadas-resto-del-mundo\/","title":{"rendered":"Cortometrajes del resto del mundo"},"content":{"rendered":"\n[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ededed\u00bb min_height=\u00bb885.1px\u00bb custom_margin=\u00bb||-2px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbOswald|500|||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb25px\u00bb text_line_height=\u00bb1.8em\u00bb hover_enabled=\u00bb0″ text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb20px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]

CORTOMETRAJES RESTO DEL MUNDO<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/AllegoryOfTheCave-poster.webp\u00bb alt=\u00bbChaika-poster\u00bb title_text=\u00bbAllegoryOfTheCave-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/allegory-of-the-cave\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Allegory of the Cave<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Weipeng Huang, Yajing Wang) China. 8 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/NatalKickCosmoGround-poster.webp\u00bb alt=\u00bbMA-QUINA\u00bb title_text=\u00bbNatalKickCosmoGround-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/natal-kick-cosmo-ground\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Natal Kick, Cosmo Ground<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Jaeik Kim) Corea del Sur. 13 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/TheOtheredScene-poster.webp\u00bb alt=\u00bbTras la niebla\u00bb title_text=\u00bbTheOtheredScene-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/the-othered-scene\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb height=\u00bb327px\u00bb max_height=\u00bb1000px\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

The Othered Scene<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Wang-Yun Yen) Pa\u00edses Bajos, Taiw\u00e1n. 13 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/VejlsEnd-poster.webp\u00bb alt=\u00bbPolvo sin tierra\u00bb title_text=\u00bbVejlsEnd-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/veils-end\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Veil’s End<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Tianyang Hou) China. 15 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/AbjadHawaz-poster-1.webp\u00bb alt=\u00bbHIS MOTHER. The files.\u00bb title_text=\u00bbAbjadHawaz-poster (1)\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/abjad-hawaz-%D8%A3%D8%A8%D8%AC%D8%AF-%D9%87%D9%88%D8%B2\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Abjad Hawaz (\u0623\u0628\u062c\u062f \u0647\u0648\u0632)<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Hadi Moussally) L\u00edbano. 5 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/CirclesAndSquares-poster.webp\u00bb alt=\u00bbPalo alto\u00bb title_text=\u00bbCirclesAndSquares-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/circles-and-square\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Circles and Squares<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Michael Lyons) Jap\u00f3n. 4 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/LostFragmentsOfASeisure-poster.webp\u00bb alt=\u00bb(The Experiment)\u00bb title_text=\u00bbLostFragmentsOfASeisure-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/lost-fragments-of-a-seizure\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Lost Fragments of a Seizure<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Michael Martinez) Colombia, Emiratos \u00c1rabes Unidos. 11 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/wp-content\/uploads\/2026\/08\/NotesFromSilences-poster.webp\u00bb alt=\u00bb(The Experiment)\u00bb title_text=\u00bbNotesFromSilences-poster\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2026\/notes-from-silences\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]

Notes from Silences<\/h2>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]

(Dir. Alexandra Kumala) Indonesia, Puerto Rico. 14 min.<\/h3>[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

CORTOMETRAJES RESTO DEL MUNDOAllegory of the Cave(Dir. Weipeng Huang, Yajing Wang) China. 8 min.Natal Kick, Cosmo Ground(Dir. Jaeik Kim) Corea del Sur. 13 min.The Othered Scene(Dir. Wang-Yun Yen) Pa\u00edses Bajos, Taiw\u00e1n. 13 min.Veil’s End(Dir. Tianyang Hou) China. 15 min.Abjad Hawaz (\u0623\u0628\u062c\u062f \u0647\u0648\u0632)(Dir. Hadi Moussally) L\u00edbano. 5 min.Circles and Squares(Dir. Michael Lyons) Jap\u00f3n. 4 min.Lost Fragments […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2952","page","type-page","status-publish","hentry"],"yoast_head":"\nCortometrajes del resto del mundo - Bogota EXP 2026<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bogotaexperimental.com\/bogotaexp2026\/destacadas-resto-del-mundo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cortometrajes del resto del mundo - Bogota EXP 2026\" \/>\n<meta property=\"og:description\" content=\"CORTOMETRAJES RESTO DEL MUNDOAllegory of the Cave(Dir. Weipeng Huang, Yajing Wang) China. 8 min.Natal Kick, Cosmo Ground(Dir. Jaeik Kim) Corea del Sur. 13 min.The Othered Scene(Dir. Wang-Yun Yen) Pa\u00edses Bajos, Taiw\u00e1n. 13 min.Veil's End(Dir. Tianyang Hou) China. 15 min.Abjad Hawaz (\u0623\u0628\u062c\u062f \u0647\u0648\u0632)(Dir. Hadi Moussally) L\u00edbano. 5 min.Circles and Squares(Dir. 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