{"id":688,"date":"2025-07-31T15:19:13","date_gmt":"2025-07-31T15:19:13","guid":{"rendered":"https:\/\/bogotaexperimental.com\/bogotaexp2025\/?page_id=688"},"modified":"2025-08-22T16:25:03","modified_gmt":"2025-08-22T16:25:03","slug":"abstraccion","status":"publish","type":"page","link":"https:\/\/bogotaexperimental.com\/bogotaexp2025\/abstraccion\/","title":{"rendered":"Abstracci\u00f3n"},"content":{"rendered":"

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ABSTRACCI\u00d3N – SENSORIAL – EXPERIENCIAS AUDIOVISUALES – NO NARRATIVO<\/p>\n

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Tras La Niebla<\/h2>\n

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(Dir. Esteban Agudelo Franco, 2024) Colombia. 00:09:27<\/h3>\n

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Surco De Hierro<\/h2>\n

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(Dir. Jes\u00fas Torres Cely, 2024) Colombia. 00:16:54<\/h3>\n

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Anarchafeminist Divination<\/h2>\n

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(Dir. I\u015f\u0131l Karata\u015f, 2024) Austria. 00:16:00<\/h3>\n

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Kaleidosprocket<\/h2>\n

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(Dir. Tim Grabham, 2025) Reino Unido. 00:07:30<\/h3>\n

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Garden<\/h2>\n

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(Dir. Michael Betancourt, 2024) Estados Unidos. 00:03:00<\/h3>\n

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The Dissolution of the Landscape<\/h2>\n

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(Dir. Anne-Marie Bouchard, 2024) Canad\u00e1. 00:23:52<\/h3>\n

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Clear<\/h2>\n

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(Dir. Hogan Seidel, 2024) Sin Pa\u00eds. 00:06:20<\/h3>\n

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Ma\u00e7anetas<\/h2>\n

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(Dir. Juan Lesta, 2023) Espa\u00f1a. 00:02:50<\/h3>\n

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Waters that sculpt fire<\/h2>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

(Dir. Victoria Ioudina, 2024) Espa\u00f1a. 00:13:28<\/h3>\n

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Smoke<\/h2>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

(Dir. Erica Schreiner, 2025) Estados Unidos. 00:07:40<\/h3>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_button button_text=\u00bbArte\/Est\u00e9tica\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb12px\u00bb button_text_color=\u00bb#303030″ button_bg_color=\u00bb#bcbcbc\u00bb button_border_width=\u00bb0px\u00bb button_font=\u00bbOswald||||||||\u00bb button_icon=\u00bb||fa||900″ background_layout=\u00bbdark\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2025\/wp-content\/uploads\/2025\/08\/deluge.png\u00bb alt=\u00bbdeluge\u00bb title_text=\u00bbdeluge\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2025\/carta-filmica1-manu-mhf\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Deluge<\/h2>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

(Dir. Meejin Hong, 2024) Estados Unidos. 00:12:05<\/h3>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||-1px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_button button_text=\u00bbPol\u00edtica\/Protesta social\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb12px\u00bb button_text_color=\u00bb#303030″ button_bg_color=\u00bb#bcbcbc\u00bb button_border_width=\u00bb0px\u00bb button_font=\u00bbOswald||||||||\u00bb button_icon=\u00bb||fa||900″ background_layout=\u00bbdark\u00bb custom_margin=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2025\/wp-content\/uploads\/2025\/08\/mexico.png\u00bb alt=\u00bb\u00a1Aoquic iez in Mexico! Mexico will no longer exist!\u00bb title_text=\u00bbmexico\u00bb url=\u00bbhttps:\/\/bogotaexperimental.com\/bogotaexp2025\/noche-y-dias-cartagena\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

\u00a1Aoquic iez in Mexico! \/ Mexico will no longer exist!<\/h2>\n

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(Dir. Annalisa Donatella Quagliata, 2024) M\u00e9xico. 01:20:12<\/h3>\n

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Isla Barehead<\/h2>\n

[\/et_pb_text][et_pb_divider color=\u00bb#b5b5b5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-1.2vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbOswald||||||||\u00bb header_3_font=\u00bbAbel|700|||||||\u00bb header_3_text_color=\u00bb#848484″ header_3_font_size=\u00bb16px\u00bb header_3_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb-1.8vw||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

(Dir. Aitor Ib\u00e1\u00f1ez, 2025) Francia. 00:09:00<\/h3>\n

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Calostro<\/h2>\n

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(Dir. Diego Felipe Cort\u00e9s, 2024) Colombia. 00:10:00<\/h3>\n

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Suspiro Estelar<\/h2>\n

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(Dir. Raquel P\u00e1ez Gzum\u00e1n, 2025) Colombia. 00:07:53<\/h3>\n

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Moskitos<\/h2>\n

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(Dir. Susana Ojeda, 2024) Austria. 00:16:08<\/h3>\n

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Soleador<\/h2>\n

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(Dir. Frank D. Blanco, 2024) Cuba. 00:19:04<\/h3>\n

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The Soot<\/h2>\n

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(Dir. Nikita Baranov, 2024) Federaci\u00f3n Rusa. 00:14:07<\/h3>\n

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Stargazing. A dialogue on creation between serial silence-killers<\/h2>\n

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(Dir. Niccol\u00f2 Buttigliero, 2024) Italia. 00:07:00<\/h3>\n

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ABSTRACCI\u00d3N – SENSORIAL – EXPERIENCIAS AUDIOVISUALES – NO NARRATIVOTras La Niebla(Dir. Esteban Agudelo Franco, 2024) Colombia. 00:09:27Surco De Hierro(Dir. Jes\u00fas Torres Cely, 2024) Colombia. 00:16:54Anarchafeminist Divination(Dir. I\u015f\u0131l Karata\u015f, 2024) Austria. 00:16:00Kaleidosprocket(Dir. Tim Grabham, 2025) Reino Unido. 00:07:30Garden(Dir. Michael Betancourt, 2024) Estados Unidos. 00:03:00The Dissolution of the Landscape(Dir. Anne-Marie Bouchard, 2024) Canad\u00e1. 00:23:52Clear(Dir. 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